Unlocking Old Secrets III – 4

It’s important that I establish my lightest lights and darkest darks early on so that I can be sure my range of values is correct. And, as mentioned before, I may have violated on of the guidelines of composition – not having anything drawing your eye out of the painting – that key may be doing that, but I can’t be sure until it gets framed. It may end up being a nice crop which brings your eye right back into the painting.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s