Unlocking Old Secrets III – 4

It’s important that I establish my lightest lights and darkest darks early on so that I can be sure my range of values is correct. And, as mentioned before, I may have violated on of the guidelines of composition – not having anything drawing your eye out of the painting – that key may be doing that, but I can’t be sure until it gets framed. It may end up being a nice crop which brings your eye right back into the painting.


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